On Monday, Jenna and I went to the Hale Centre Theatre of Orem to see The Drowsy Chaperone. We first saw that play a few years ago during the first national tour (Jonathan Crombiee, the actor who played Gilbert in the Anne of Green Gables movies played the lead role). We loved it and laughed throughout the whole thing, so we were excited to see it again.
The play is about a man, known simply as “The Man in the Chair.” He is feeling blue and pondering questions of life and musical theater. To help cheer himself up, he puts on a record (“yes, record”) of one of his favorite plays from the 1920s—The Drowsy Chaperone. As he listens, the play comes to life in his apartment, telling an absurdly predictable story about a young woman giving up a life of glamour to tie the knot with a man she barely knows. The man in the chair narrates and even interacts with the characters as it builds to its wacky crescendo.
Jokes abound, ranging from the outrageous Adolfo, the self-proclaimed “King of Romance,” who has the funniest scenes, trying to seduce the bride to the terrible puns by two jovial gangsters disguised as pastry chefs. Throughout, the play pokes fun at the foibles of theater, especially musicals. It riffs on old-time Broadway prejudice, spit-take sequences, and more and apes dozens of other plays, including a hilarious take on The King and I. It even has well-placed digs at modern Broadway, intermissions, Elton John, and Disney. The result is one of the funniest plays ever staged.
But the interesting thing is that, in the middle of a rip-roaringly hilarious time, there is a very powerful–and very serious–message.
The message comes in the middle of the play when the bride is feeling apprehensive about getting married and asks advice from her chaperone, a woman who is perpetually drunk and drowsy (hence the name). In response, the chaperone sings an entirely inappropriate anthem (yes, “anthem”) called “As We Stumble Along.”
As we stumble along
On life’s funny journey,
As we stumble along
Into the blue,
We look here and we look there,
Seeking answers anywhere,
Never sure of where to turn or what to do.Still we bumble our way
Through life’s crazy labyrinth.
Barely knowing left from right
Nor right from wrong,
And the best that we can do
Is hope a blue bird
Will sing his song
As we stumble along.
Later, the man in the chair protests a song that declares that “love is always lovely in the end.”
“That’s not true!” he says. “Love isn’t always lovely in the end. Sometimes there are lawyers.” The audience slowly begins to realize that the man, like so many of us, is frustrated with the difficulties of the world and he uses musicals as a way to escape.
As the play progresses, he gets more and more into the play and ignores all disruptions to focus solely on the joy it brings him. He obsesses about a moment where a glitch prevents him from hearing the most important advice the chaperone gives to the bride, which is either “leave while you can” or “live while you can,” and he points out that is the same choice we have through much of life—leave or live.
Just as the play comes to a triumphant, happy climax, real life intrudes, cutting off the last note in an amusing and frustrating way. The man doesn’t know what to do. He thinks about starting over but says, “no, we can’t do that, can we?” He collapses into his chair in despair.
In his chair, he returns to the message that makes the play transcend its goofiness. “I know it’s not a perfect show,” he tells the audience (he’s right, it is hilariously bad, but that is on purpose). “But it does what a musical is supposed to do. It takes you to another world. And it gives you a little tune to carry with you in your head for when you’re feeling blue.”
Softly, he begins to hum and then sing “As We Stumble Along.” he is soon joined by the rest of the cast and as the song reaches the end, he opens the door and, squaring his shoulders back, he walks off into the world.
I like that message. It touches on why it is so important to find good, uplifting things in life. There are so many things in life to bring us down, that make us blue. As the economic crisis gets worse and partisan battles increase to the point that we fear blood will be spilled, it is hard to see the good. But good plays, books, music, TV shows, movies and more can help lift us up and make it possible to confront the world with defiance and even joy. It is what stories do–it is why they are important!
Arthur Miller once wrote: “Great drama is great questions or it is nothing but technique. I could not imagine a theater worth my time that didn’t want to change the world.” I agree. Theater—for that matter, any kind of diversion—should have some kind of redeeming value, or it isn’t worth our time and effort. It should try to change the world in some way. Even if it is doing nothing more than lift spirits for a few hours.
That doesn’t mean that good theater has to always be fun and light. In fact, deep and darker stories can be just as powerful. One of my favorite movies of all time is Glory, about the first all-black regiment in the Civil War. It isn’t a funny film, and often it is uncomfortable to watch. The ending is heart-wrenching and sad, but the movie is amazing because I always walk away from it grateful for those that gave their lives to give me the opportunities I have—those that were willing to give everything to preserve this nation. I walk away a little better and a little stronger and a little more willing to face trials and overcome because it is right.
Another of my favorite movies is The Dark Knight. It is a difficult movie to watch, and it makes you wonder if any good still exists in Gotham and, by extension, the rest of the world. And then comes the end, where the people of Gotham and even the “bad men” mobsters, refuse to blow each other up, even at the cost of their own lives. And you walk away with a newfound hope for humanity, that no matter how dark and depressing things get, we can overcome.
In my mind, that is what great theater–what great popular culture–should do: It should give us a bit of light we can use to hold back the darkness of the world. And hopefully it will give us a little tune to carry with us for when we’re feeling blue.
Then we stumble away
Through dawn’s blinding sunbeams.
Barely knowing right from left
Nor left from wrong.
But as long as we can hear that little blue bird
There’ll be a song
As we stumble along.



Take Under the Dome, King’s most recent novel. It is about a town that mysteriously becomes trapped in some kind of transparent energy field. Almost immediately, the psychos in the town gain power and people start to turn on each other. Things just go from bad to worse and then keep getting worse. It was so depressing I only made it about a third of the way (I have never made it past the half-way mark of any King book, despite my many attempts).
For example, I recently finished reading the first three of Koontz’ Odd Thomas series. The books, which I highly recommend, are about Odd Thomas, a young man who can see (but not talk to) ghosts. The ghosts come to him seeking help to resolve whatever wrong is keeping them on the terrestrial plane. Odd (who really is named “Odd”) helps them. There isn’t anything in it for Odd. In fact, there are many reasons why he shouldn’t help people, the main ones being that it often gets him in trouble and brings pain (or death) to those he loves. But he does it anyway, just because it is right.
Makes 8 servings (1/2 squash = 1 serving)















